PUBLICATIONS

Non-Fiction

Non-Fiction Publications

SILMAN Robert (1972) “Teaching the Medical Student to Become a Doctor” in Pateman T (Ed) Countercourse: A Penguin Educational Special pp.264 - 279 Penguin Books. Also translated into French “Comment On Fabrique Un Medecin” and published in Les Temps Modernes (Ed Jean-Paul Sartre) Vol 306 (Jan 1972) pp. 1110 - 1129
Young IM, SILMAN RE (1986) Grande-Bretagne: Pour un front populaire anglais: 1936 au Daily Herald. In Materiaux pour l’Histoire de Notre Temps. Publisher Bibliotheque de Documentation Internationale Contemporaine (BDIC) Juillet – Decembre 1986 Numero 7 – 8 ISSN0769-3206 pp 36-40.
SILMAN RE (1995) What is Fertility Counselling? In Jennings S (Ed) Infertility Counselling, Blackwell Science Ltd Oxford. Chapter 12 pp 205-213
SILMAN RE (1997) The Social and Ethical Issues of Risk Assessment in Grudzinskas J. G. & Ward R. H. T. (Eds) Screening for Down Syndrome in the First Trimester RCOG Press Chapter 3 pp 26 - 33.
SILMAN RE (2007) US Patent and Trademark Office Title: Quality Filter for the Internet Filing Date: 7 September 2007 Inventor: Robert Silman (UK) Granted 22 Feb 2011 United States Patent No: US 7895202 B2
SILMAN RE (2008) US Patent and Trademark Office Title: Rewards for Unseen Website Activity. Filing Date: 26 February 2008 Inventor: Robert Silman (UK) Granted: 13 November 2012 United States Patent No: US 8311881 B2
SILMAN RE (2010) Catastrophe and homeostasis. Criminal Behaviour and Mental Health 20, 177-189
SILMAN Robert (2015) Thoughts Without a Thinker in Yair Meshoulam (artist) et al. Textures of Consciousness. Tambar ISBN 978-1-910133-05-7 pp 90 - 97
SILMAN Robert (2023) My Gang in Yair Meshoulam (artist) et al. Signs of Our Time. Tambar ISBN 978-1-910133-25-5 pp 81 – 102

Catastrophe and homeostasis - Criminal Behaviour and Mental Health

Thoughts without a Thinker - Robert Silman

My Gang - Robert Silman

Publications

The Bard of Pittsburgh African Legacy Theatre

Me? It was while attending a workshop in Chicago at Steppenwolf in 2000 that I took pot luck with a show at the Goodman theatre. It was August Wilson’s ‘King Hedley II’. To my shame, I had never heard of August Wilson until that evening, but I was so impressed by the show that I looked out for his work whenever performed thereafter; and have had the immense privilege of seeing most of his cycle of ten plays which describe the experience of African Americans across ten decades.

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